Elevations
dictate the impression we leave on people who see our work. Perhaps it comes
next to clever planning with regards to hierarchy of importance. Though I would
say these two must be coordinated during the planning phase, reality says most
of the time, floor plans are given much more importance. As the saying goes:
“when the planning gets tough, the tough drinks coffee and keeps sketching all
night”. But how about the time huh? So I say, in times like this, when all we
can make are “not so good, not so bad” plans, we turn to elevations – we make
them look snappy, they pull us up by hiding minor flaws. Though the design
really depends on you on how you mix and match patterns and shapes and themes,
some of these tips may help.
1.
Look around
I
remember a quote I happened to read a long time ago while surfing the web and
it says: “architecture is the art of plagiarism”. At some point I agree with
this. It is all about mixing and matching designs you see around you. You may
get your concept from a fruit, a car, a tree but when looking for immediate
patterns, you can look at other buildings too. See what features you can get
from it and mix it up with other designs you can see from other structures.
Columns, ceiling designs, etc.
2.
Use line weights
This
one was really taught by my instructor really but I put it into practice after
I have read it in an old book with a title I can hardly remember, it was like
“Architectural Drafting and Design”. Actually there are four ways to use line
weights but my two best bets are the shadow, and outline. In shadow, you use
heavier lines on the parts where shadows are set to originate. And in outline,
you use heavier lines on the.. outline (duh!) It gives emphasis to the structure
and makes it look a lot better.
3.
Gather some patience and add shadows
I’m
not referring to shady shady stuff we do using pencils when were almost
finished, bored and have nothing left to do. What I mean here are shadows that
would really show where the light source is, and where shadows really are
supposed to be cast. It adds a sense of depth and gives a hint whether the
surface is protruded, round, empty, slanted, etc. It gives a 3-dimensional feel
to the elevation which is actually drawn as 2 dimensional. Though it really eat
up some time, it’s really worth it.
4. Do
not use colors you cannot handle
This
is the common mistake I see in many plates, they’ve got a good floor plan,
great perspective, great elevation, but annoying color combinations. The “could
have been” classy building looked like a dirty bitch. You get what I mean?
Color is critical. It affects the mood of the people who sees it, and of course
affects the overall look and feel of the building. So better settle with calm
tone and easy to match colors like, white, brown, or better stick with
monochrome.
Courtesy: Blogger at Archidumdum.com
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